With a wide range of regional and stylistic forms, the collection of more than 9, objects spans the mid s to the s. He eventually acquired some of the choicest Philadelphia furniture dating from the s to the s. Du Pont displayed his collection in rooms that he and his family lived and entertained in from until Furniture owned by wealthy colonials such as the Dickinson, Gratz, Cadwalader, and Logan families are prized among the objects in these spaces. Other furniture collection highlights include representative pieces of the finest New England furniture, especially from Newport, Boston, Salem, and Portsmouth. Federal and empire furniture from the early s to the s also has an important place in the collection. Furniture of Southeastern Pennsylvania, — Books about Winterthur Furniture Downs, Joseph. New England Furniture at Winterthur: Queen Anne and Chippendale Periods.
Antique Furniture Periods and Dating
Typically refers to woods from Diospyros crassiflora , Diospyros ebenum , Diospyros pilosanthera , and D. Name is sometimes mistaken applied to Dalbergia nigra. Principally Diospyros blancoi , Diospyros celebica and Diospyros melanoxylon. Due to overlogging for the said furniture, most of the species are either threatened or endangered. Chinese furniture in Taipei ‘s Zhongshan Building Construction of traditional wooden Chinese furniture is based primarily of solid wood pieces connected solely using woodworking joints , and rarely using glue or metallic nails.
Tips on buying antique & vintage furniture. About Antiques. Tips on Collecting Antique Furniture to valuable antique furniture or 20th century furniture of such style and “quality” that they will become valuable antiques in the future. books and visit museums to help train your eye as to what details belong to which periods, this can.
We look at the design of various types of furniture and furnishings, the interior architecture , as well as materials and techniques, plus some of the main designers. Menuiserie or Ebenisterie During the 16th century furniture was the province of the menuisier who worked in solid wood. The nearest English equivalent to the term is ‘carpenter and joiner’, but this is not entirely satisfactory.
At this time the technique of inlaying, extremely fashionable in Italy, was in France the province of the menuisier, but when it was replaced by more sophisticated techniques such as veneering and marquetry in the early years of the 17th century, the most skilled menuisiers became known as ebenistes, a term often translated as ‘cabinet-maker’ which again is not strictly accurate. The menuisier proper continued to be responsible for seat-furniture, table-supports, such furniture as buffets a kind of cupboard and armoires wardrobes of solid wood, the decorative carved panelling for walls boiseries , door-cases and overdoor mouldings, and window-cases and shutters.
In this he was assisted by wood-carvers, and by painters, varnishers, and gilders. Ebenistes were so called from the fact that when ebony ebene was first introduced into France towards the end of the 16th century it was an exceedingly rare and expensive wood used principally for veneers and inlays. Craftsmen who specialized in this work became known as menuisiers en ebene, later shortened to ebenistes, and since veneering was almost invariably done on case-furniture of one kind or another the ebeniste was necessarily also a cabinet-maker.
The term, however, can be applied correctly to any kind of furniture decorated with veneers or marquetry, and with related techniques. The elaborate mounting and applied decoration of metal, which became especially fashionable towards the end of the 17th century, required yet another category of craftsman – the ciseleurs-fondeurs who cast and finished the mounts, and the doreurs who were responsible for gilding.
French furniture of the period under discussion is commonly referred to either as menuiserie or ebenisterie, and these terms will henceforward be used without further explanation, since to translate them would be needlessly confusing. They are both in use today, and the workshops of these craftsmen are a not uncommon sight in provincial France, even though the ebenistes are rarely as skilful as their forebears.
Movable or Immovable Classification according to position in the decorative scheme, whether fixed or not, is not an entirely new concept. The French word for the furnishings of the house – meubles or movables – is sufficient indication of this, because the notion of movables implies the existence of immovables, apart from the building itself, which is always an immeuble.
Royal Doulton Markings – Back Stamps and Trademarks
We do not sell reproductions or use cheap modern spray finishes. History of Antique Furniture – A Guide to Antique Dining Tables In terms of the antique dining tables available today we perhaps think as far back as the 16th Century for primitive plank top refectory tables but of coarse the civilised Worlds of ancient history have always built tables for dining. Perhaps the very first were smooth flat rocks used by our cave dwelling ancestors? Generally speaking the further we look back in recent centuries the rarer the table and hence greater the price.
Fortunately, in terms of budget, many of these early refectory tables were revived copied at later dates and have survived in greater numbers.
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In fact, Phyfe has become the expression used to identify the American-made furniture in antique or neoclassical style that was influenced by the forms and ornaments used in classical Greece and Rome. A Scottish-born immigrant, Phyfe came to New York with his family and after completing his apprenticeship he established a cabinet shop that at one time employed over a hundred workers. His work reflected the designs of Empire, Sheraton and French Directoire and soon became a fixture among American homes as well as the topic of discussion.
According to records, Phyfe could perhaps be the only cabinetmaker in America whose name is connected with a long list of styles of furniture: A lyre is a stringed instrument of the harp family having a U-shaped frame and was used by ancient Greeks for song and recitation. For example, a lyre arm is a design in furniture where the shape resembles that of the lyre instrument.
The design is often affiliated with a scrolling effect of the arms of a chair or sofa or chair backs. However, after most of Duncan Phyfe furniture was made from rosewood, walnut, maple or satinwood. His work and designs included the drapery swag, oak leaves, reeding, claws and paws, and wheat just to name a few. Today, these pieces would sell for thousands or in some cases, could be priceless. The style is still very popular in furniture manufacturing today.
When purchasing a piece of Duncan Phyfe furniture, customers often ask if the particular piece was made in the Duncan Phyfe workshop or if it is just in the style of Phyfe.
Biloxi Area Shopping, Sales, Coupons
Whether you collect antique Chinese pottery vases, eighteenth century British sterling silver or any type of antique at all, you know the understanding of antique identification marks is invaluable. Thousands of Antique Identification Marks When thinking of all antiques in existence there are tens of thousands, if not more, of different identification marks. For instance one website, Antique-Marks, has more than 10, images of maker’s marks and trademarks found on antique pottery and porcelain.
Every collector, whether a novice or seasoned, needs accurate resources that help to identify and value pieces of interest.
Antique iron furniture comes in two categories, cast iron and wrought iron. Cast iron is usually older although it was produced right along with the wrought iron variety, so dating.
Item must be returned within 30 days after the buyer receives it The buyer is responsible for return postage costs. You must return items in their original packaging and in the same condition as when you received them. If you don’t follow our item condition policy for returns , you may not receive a full refund. In Australia, consumers have a legal right to obtain a refund from a business if the goods purchased are faulty, not fit for purpose or don’t match the seller’s description. More information at returns.
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An Antique Chest of Drawers or any Georgian furniture are well designed pieces and are built to a very high standard. They are made using good quality woods such as mahogany and oak and the screws were made by hand. The style of English Georgian furniture was mostly plain and simple and had a similarity to the architectural lines of buildings. Furniture was hand crafted, and good quality solid woods were abundant, and along with good metalware fittings, quality was of the utmost imortance.
Antique furniture periods and dating At ampere take down position you prat select Antique furniture periods vitamin A full stop that interests you e.g. Vogue outmoded and Collectible database for year period identification. Article French antique furniture periods. Of furniture you bequeath brush leave either be from traditional English periods operational theatre aesthetic How To Build A.
Each era left its imprint through the designs considered fashionable at the time. An owner of an antique must verify that the buffet or sideboard is, indeed, an antique. Many companies replicate antique styles. The best way to evaluate an antique is to take it to an antique appraiser. The appraiser is knowledgeable in furniture styles and time periods. Look for any identifying marks on your antique buffet or sideboard. According to The Furniture, a buffet is the bottom portion of a cupboard or a low cupboard used for serving food.
A sideboard is a cupboard used for displaying plates.
Antique Console Tables
Furniture periods in America were strongly influenced by regions abroad, namely in Europe and Asia, and were distinctly variant from the 17th through the 20th century. Today, the Early American furniture style is considered one of the most important furniture movements in America, as this style set the precedent for the American furniture movements that followed.
As a starting point for new collectors and a refresher for connoisseurs, here are nine important american furniture styles, explained.
This is an antique, Edwardian glazed corner cabinet dating to c Beautifully made in a Georgian revival style, this example is taller than most at cm (“) tall. The mahogany exhibits a lustrous shine and good colour throughout.
It has X-shaped sides and a sling seat and back made of leather, cane or wood slats. Similar to a planter’s chair, but without the extended arms. Many car chairs are adorned in leather or synthetic material designed for comfort or relief from the noted stress of being seated. Variants include a toddler’s or infant’s carseat, which are often placed atop an existing chair and secured by way of extant seat belts or other such securant articles.
Carver chair, similar to a Brewster chair and from the same region and period Cathedra , a bishop’s ceremonial chair Chaise a bureau , a Rococo style of chair, created during the first half of the 18th century, constructed so it could sit in a corner of a room there is one leg directly in the back and one directly in the front, and then one leg on each side Chaise longue French for “long chair” , a chair with a seat long enough to completely support its user’s legs.
Chesterfield chair, a low club-style chair with a fully buttoned or tufted interior, typically made of leather Chiavari chair , designed in by Giuseppe Gaetano Descalzi of Chiavari in Italy. The chair is lightweight, has elegant lines, yet is strong, practical and easy to handle. Club chair , a plush easy chair with a low back.
Antique Identification Marks
Our Online Catalog displays a choice selection of antiques for sale, usually American in origin. Young, Old Hickory Adirondack and Roycroft amongst others. We also offer early electric, gas, and kerosene lighting including chandeliers, wall sconces, floor lamps, and table lamps; and numerous decorative art metal and pottery pieces. In general, we feature antiques that bespeak a strong design influence.
The most elaborate furniture in this style was made around , often incorporating columns with rope-twist carving, animal-paw feet, anthemion, stars, and acanthus-leaf ornamentation, sometimes in combination with gilding and vert antique (antique green, simulating aged bronze).
Preserving and Restoring Furniture Coatings Introduction Coatings accomplish several functions when used in conjunction with wooden objects. First, and probably foremost in terms of the fabricator’s intent, is that coatings alter the appearance of the surface. That is, coatings serve some aesthetic purpose. Second, coatings offer protection to the object’s surface spills, abrasion, etc. Finally coatings provide scholars, including conservators and historians, information regarding the practices and technologies of the past.
As with other considerations when evaluating historic artifacts of all kinds, these factors must be integrated with the precept that all materials which exist as part of an object contribute to the integrity and uniqueness of that object. Both historic and contemporary fabricators of wooden objects generally consider ed coatings, particularly “non decorative,” to be a potentially sacrificial element of the whole.
However, for the reasons enumerated above, conservators do not consider any portion of an object to be routinely expendable, including finishes and coatings. Contrary to the “strip and dip” approach to dealing with coatings so prevalent in many commercial refinishing and restoration shops, conservators and sensible restorers attempt to preserve the coating on the object whenever possible. This is not to suggest that coatings are never altered or replaced in the course of conducting a conservation treatment on an object.
In many cases this intrusion must take place, but the ideal is to intercede minimally and to leave the surface as undisturbed as possible while assuring stability for, and preservation of the artifact.